![]() Barrett chose his own composition So Much as the quintet's next release instead. Goldner had left orders with his second-in-command, A&R man Richard Barrett, to issue another Imperials ballad, Neil Sedaka's The Diary, as the group's next 45 instead before Goldner embarked on a European vacation. Their first End single was supposed to have featured the soaring ballad Two People In The World, but it was the other side, the silky Tears On My Pillow, that became their calling card when it became a massive hit in the summer of 1958 (it's on our prior collection).Īnthony and his Imperials (first tenor Tracey Lord, second tenor Ernest Wright, Jr., baritone Clarence Collins, and bass Glouster 'Nate' Rogers) encored with So Much, a #24 R&B entry for a week in early 1959. ![]() ![]() It hadn't been an easy journey for Anthony, a Brooklyn denizen who fronted The Duponts and then The Chesters on singles that failed to hit before the latter group was renamed The Imperials (allegedly by End public relations man Lou Galli). Having settled on an unusual sing-song vocal delivery that emphasized his exceedingly youthful-sounding tenor, Little Anthony (as deejay Alan Freed had christened him unexpectedly one day on his WINS program while spinning his group's smash Tears On My Pillow) Gourdine and his Imperials were primed to register a long string of hits for George Goldner's New York-based End label. Little Anthony & The Imperials Shimmy, Shimmy, Ko-Ko Bop
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